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    <loc>https://www.gilanetawadros.org/contact</loc>
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    <loc>https://www.gilanetawadros.org/new-page</loc>
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    <lastmod>2025-08-12</lastmod>
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      <image:title>Biography</image:title>
      <image:caption>Photograph © Malcolm Bacon, 2020. All rights reserved.</image:caption>
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  <url>
    <loc>https://www.gilanetawadros.org/writing</loc>
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    <loc>https://www.gilanetawadros.org/project</loc>
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    <lastmod>2021-02-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1601367203783-LPA2V3GB8VZ5TW7B3M58/Screenshot+2020-09-29+at+09.12.40.png</image:loc>
      <image:title>Projects - Alien Nation</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1603459774484-CC8FVTFJG7QCPH2I2X6K/Screenshot%2B2020-10-23%2Bat%2B14.20.46.jpg</image:loc>
      <image:title>Projects - Shen Yuan</image:title>
      <image:caption>Shen Yuan, Feel Just Like a Fish in Water, 2000. © DACS, 2020. Installation photograph. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1610831199468-KOZ7HTEZES32IF6MHZJK/Edward+Woodman+-+David+Medalla+performance.jpg</image:loc>
      <image:title>Projects - Shooting Performance: Edward Woodman and British Art of the 1980s and 1990s</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1605776906604-LKQ6JHI3NJHNFY39OCIQ/Screenshot%2B2020-11-19%2Bat%2B16.53.00.jpg</image:loc>
      <image:title>Projects - Keith Piper: Relocating the Remains</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1603459908998-KO9YAS9BD9IXV8OE0BJ9/Screenshot%2B2020-10-23%2Bat%2B14.16.48.jpg</image:loc>
      <image:title>Projects - Veil: Veiling, Representation and Contemporary Art</image:title>
      <image:caption>Front cover of Veil exhibition catalogue. Cover image: Marc Garanger, Femme Algeriérienne (Algerian Woman), detail, 1960. Photograph. © DACS, 2020.  All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1610831230832-X567N6U05P210OBOEL5Y/Sutapa+Biswas.jpg</image:loc>
      <image:title>Projects - Sutapa Biswas: Birdsong</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1604079910782-8G1R23P5K26LUEQM2UZE/Screenshot%2B2020-10-23%2Bat%2B14.16.23.jpg</image:loc>
      <image:title>Projects - Fault Lines</image:title>
      <image:caption>Fault Lines: Contemporary African Art and Shifting Landscapes, presented as part of the 50th International Art Exhibition, La Biennale di Venezia, Dreams and Conflicts: The Dictatorship of the Viewer, 12 June–2 November 2003. Installation photograph. © Gilane Tawadros, 2003. All rights reserved.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1598276901643-V7Y6I0BWEAKPM0H61T5S/Screenshot+2020-08-24+at+14.41.21.png</image:loc>
      <image:title>Projects - Transmission Interrupted</image:title>
      <image:caption>Adel Abdessemed, Practice Zero Tolerance, 2006. Terracotta, 120 x 365 x 165 cm (c) Adel Abdessemed, ADAGP, Paris and DACS, London, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1601366619016-6EGPSO88WM562RGXL41Z/Screenshot%252B2020-09-29%252Bat%252B09.01.01.jpg</image:loc>
      <image:title>Projects - Brighton Photo Biennial 2006</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1601366310528-GBK0UC538F4VPOINL2L2/Fig-33+28637-3508.jpeg</image:loc>
      <image:title>Projects - The Real Me</image:title>
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  <url>
    <loc>https://www.gilanetawadros.org/home</loc>
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    <priority>1.0</priority>
    <lastmod>2021-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1598266505699-RZ1FJVS54ZBA4KKWNJF3/81AGJw3iruL.jpg</image:loc>
      <image:title>Home</image:title>
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  <url>
    <loc>https://www.gilanetawadros.org/talks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/about-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1598277217579-0Y7XSCJ8IJ5765M860RI/Screenshot+2020-08-24+at+14.41.21.png</image:loc>
      <image:title>Transmission interrupted</image:title>
      <image:caption>Adel Abdessemed, Practice Zero Tolerance, 2006. Terracotta, 120 x 365 x 165 cm. © Adel Abdessemed / ADAGP, Paris and DACS, London 2020.</image:caption>
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  <url>
    <loc>https://www.gilanetawadros.org/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1601367066156-9QMGD93MXBCAH6SO3FI5/Screenshot+2020-09-29+at+09.01.01.png</image:loc>
      <image:title>Brighton Photo Biennial 2006</image:title>
      <image:caption>Brighton Photo Biennial 2006, 6-29 October 2006</image:caption>
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  <url>
    <loc>https://www.gilanetawadros.org/the-real-me</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1603463330443-O4VCFHIEK9I19BYW8B1M/Fig-33+28637-3508.jpeg</image:loc>
      <image:title>The real me</image:title>
      <image:caption>Sonia Boyce, Talking Presence, 1987. Mixed media on colour photograph. © Sonia Boyce. All Rights Reserved, DACS 2020.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gilanetawadros.org/alien-nation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1601367656847-6XY4FYBCY2LF0CHLDP79/Screenshot+2020-09-29+at+09.12.40.png</image:loc>
      <image:title>Alien Nation</image:title>
      <image:caption>Hamad Butt, The Triffid  (Part II of the Transmission  installation), 1990. Film still from the U-matic video transferred to DVD, 17 mins 8 sec. © Hamad Butt.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gilanetawadros.org/fault</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1603461682928-2P2GTVLAVR30ZDSU02QR/Screenshot+2020-10-23+at+14.16.23.png</image:loc>
      <image:title>Fault</image:title>
      <image:caption>Fault Lines: Contemporary African Art and Shifting Landscapes, presented as part of the 50th International Art Exhibition, La Biennale di Venezia, Dreams and Conflicts : The Dictatorship of the Viewer, 12 June–2 November 2003. Installation photograph. © Gilane Tawadros, 2003. All rights reserved.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gilanetawadros.org/veil</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2021-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1603461257628-6SOP6KWYXMNT8UVEYKQU/Screenshot+2020-10-23+at+14.16.48.png</image:loc>
      <image:title>Veil</image:title>
      <image:caption>Front cover of Veil exhibition catalogue. Cover image: Marc Garanger, Femme Algeriérienne (Algerian Woman), detail, 1960. Photograph. © DACS, 2020.  All rights reserved.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.gilanetawadros.org/new-page-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
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      <image:title>Shen Yuan</image:title>
      <image:caption>Shen Yuan, Feel Just Like a Fish in Water, 2000. Installation photograph. © DACS, 2020. All rights reserved.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gilanetawadros.org/a-thousand-and-one</loc>
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    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/new-page-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/discon</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/new-page-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/recent-works-by</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/sweet-oblivion</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/shooting-performance</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1612428973027-6ONYIUFBHTETKB2TMJ01/Edward+Woodman+-+David+Medalla+performance.jpg</image:loc>
      <image:title>Shooting performance</image:title>
      <image:caption>David Medalla, Eloge de L’Exotisme, 1986, Chisenhale Space. Photograph: Edward Woodman. © Edward Woodman. All Rights Reserved, DACS 2020.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gilanetawadros.org/new-page-5</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1605776906604-LKQ6JHI3NJHNFY39OCIQ/Screenshot%2B2020-11-19%2Bat%2B16.53.00.jpg</image:loc>
      <image:title>Relocating the Remains</image:title>
      <image:caption>Keith Piper, Stills from Relocating the Remains  CD-ROM (from the project Caught Like a Nigger in Cyberspace), 1997. © Keith Piper. Courtesy of the artist.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.gilanetawadros.org/new-page-29</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-02-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f34204d48ec0f053b98df5e/1610831230832-X567N6U05P210OBOEL5Y/Sutapa+Biswas.jpg</image:loc>
      <image:title>Sutapa Biswas: Birdsong</image:title>
      <image:caption>Sutapa Biswas, Birdsong, 2004. Production still. 16mm film transferred onto 2 dvds. Dual screen projection. Colour, no sound. Duration: 7 minutes 7 seconds. Dimensions: variable. Made possible with the generous support of Iniva (London), Film and Video Umbrella (London), Grants for National Touring (ACE), AHRC (UK). © Sutapa Biswas. All Rights Reserved, DACS 2020.</image:caption>
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  <url>
    <loc>https://www.gilanetawadros.org/new-page-17</loc>
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    <lastmod>2021-02-17</lastmod>
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  <url>
    <loc>https://www.gilanetawadros.org/archive</loc>
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    <lastmod>2021-06-28</lastmod>
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    <lastmod>2021-02-17</lastmod>
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      <image:title>Archive images</image:title>
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